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LIVRES

Clowns : in conversation with modern masters

Lebank, Ezra ; Bridel, David
New York : Routledge, 2015

Clowns: In Conversation with Modern Masters is a groundbreaking collection of conversations with 20 of the greatest clowns on earth. In discussion with clown aficionados Ezra LeBank and David Bridel, these legends of comedy reveal the origins, inspirations, techniques, and philosophies that underpin their remarkable odysseys. Featuring incomparable artists, including Slava Polunin, Bill Irwin, David Shiner, Oleg Popov, Dimitri, Nola Rae, and many more, Clowns is a unique and definitive study on the art of clowning.

In Clowns, these 20 master artists speak candidly about their first encounters with clowning and circus, the crucial decisions that carved out the foundations of their style, and the role of teachers and mentors who shaped their development. Follow the twists and turns that changed the direction of their art and careers, explore the role of failure and originality in their lives and performances, and examine the development and evolution of the signature routines that became each clown’s trademark. The discussions culminate in meditations on the role of clowning in the modern world, as these great practitioners share their perspectives on the mysterious, elusive art of the clown. [editor summary]
Clowns: In Conversation with Modern Masters is a groundbreaking collection of conversations with 20 of the greatest clowns on earth. In discussion with clown aficionados Ezra LeBank and David Bridel, these legends of comedy reveal the origins, inspirations, techniques, and philosophies that underpin their remarkable odysseys. Featuring incomparable artists, including Slava Polunin, Bill Irwin, David Shiner, Oleg Popov, Dimitri, Nola Rae, and ...


Cote : 791.330 1 L441c 2015

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LIVRES

Les Nouveaux Nez

Jacob, Pascal ; Les Nouveaux Nez
Paris : Actes Sud , 2012

Une début de carrière fulgurant (à l’Olympia), des rencontres opportunes, un grand talent propulsent les Nouveaux Nez au firmament du Nouveau Cirque. Cette compagnie compte parmi les plus emblématiques du cirque contemporain. Tout en conservant leurs malles de voyages et leurs couleurs d’enfance, ils ne cessent d’explorer leur humour aux facettes multiples. [résumé de l'éditeur]


Cote : 791.330 922 44
J151n 2012

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LIVRES

Clowns of the 20th Century : photographs of 100 Years of Circus Clowns

Jamieson, David
Buntingford, Angleterre : Circus Friends Association and Aardvark Publishing, 2000

Cette publication fait suite aux suggestions faites à David Jamieson lors du "Millennium Conference of the Circus Friends Association" et du "Clowns Gallery" à Londre en 2000.


Cote : 791.330 9 C648 2000

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LIVRES

Karl Valentins Filme

Schulte, Michael von ; Syr, Peter
Zurich : Piper, 1978


Cote : 792.230 92 V156k 1978

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LIVRES

Das Karl Valentin Buch : Erstes und einziges Bilderbuch von Karl Valentin über ihn und Lisl Karlstadt

Valentin, Karl ; Klein, Tim ; Hausentsein, Wilhelm
München : Knorr & Hirth, 1932


Cote : 792.230 92 V156k 1932

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ARTICLES DE PERIODIQUES

Music and clowning in Europe, 20th-21st centuries

Stoll Knecht, Anna
2021

This research project explores the interactions between music and clowning from two perspectives: first, by investigating the uses and functions of music and sound in European clowning traditions, and second, by revisiting the notion of musical humor and introducing the category of the ‘clownesque’ – taking Gustav Mahler’s Seventh Symphony as a case study. Clowning practices can inform modern instrumental music, I suggest, because of the cross-fertilization of ‘cultivated’ and ‘popular’ genres characteristic of this era. My musicological perspective on clowning will throw new light on this tradition; and, in turn, interpreting musical humor in the 20th century through the lens of clowning practices will emphasize the physicality of musical gestures.
This research project explores the interactions between music and clowning from two perspectives: first, by investigating the uses and functions of music and sound in European clowning traditions, and second, by revisiting the notion of musical humor and introducing the category of the ‘clownesque’ – taking Gustav Mahler’s Seventh Symphony as a case study. Clowning practices can inform modern instrumental music, I suggest, because of the ...

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