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LIVRES

Contemporary circus

Lavers, Katie ; Leroux, Louis Patrick ; Burtt, Jon
New York : Routledge, 2019

In this volume, twenty-four creators come together with three scholars to discuss Contemporary Circus, bridging the divide between practice and theory.

Lavers, Leroux, and Burtt offer conversations across four key themes: Apparatus, Politics, Performers, and New Work. Extensively illustrated with fifty photos of Contemporary Circus productions, and extensively annotated, Contemporary Circus thematically groups and contextualises extracts of conversations to provide a sophisticated and wide-ranging study supported by critical theory.

Of interest to both practitioners and scholars, Contemporary Circus uses the lens of ‘contestation,’ or calling things into question, to provide a portal into ways of seeing today’s circus performance.

Conversations with: Lachlan Binns and Jascha Boyce (Gravity and Other Myths), Tilde Björfors (Cirkus Cirkör), Kim ‘Busty Beatz’ Bowers (Hot Brown Honey), Shana Carroll (The 7 Fingers), David Clarkson (Stalker), Philippe Decouflé (Compagnie DCA), Fez Faanana (Briefs), Mike Finch (Circus Oz), Daniele Finzi Pasca (Compagnia Finzi Pasca), Sean Gandini (Gandini Juggling), Firenza Guidi (ElanFrantoio, NoFit State Circus), Jo Lancaster and Simon Yates (Acrobat), Johann Le Guillerm (Cirque Ici), Yaron Lifschitz (Circa), Chelsea McGuffin (Company 2), Phia Ménard (Compagnie Non Nova), Jennifer Miller (Circus Amok), Adrien Mondot (Compagnie Adrien M and Claire B), Charlotte Mooney and Tina Koch (Ockham’s Razor), Philippe Petit (high wire artist), and Elizabeth Streb (STREB EXTREME ACTION). [editor summary]
In this volume, twenty-four creators come together with three scholars to discuss Contemporary Circus, bridging the divide between practice and theory.

Lavers, Leroux, and Burtt offer conversations across four key themes: Apparatus, Politics, Performers, and New Work. Extensively illustrated with fifty photos of Contemporary Circus productions, and extensively annotated, Contemporary Circus thematically groups and contextualises extracts of ...


Cote : 791.309 05 L3998c 2019

  • Ex. 1 — disponible
  • Ex. 2 — disponible
  • Ex. 3 — emprunté jusqu'au 2020-01-07
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LIVRES

32 aerial projects to make at home

Santos, Steven
Newton, MA : Simply Circus, 2017


As I look back at the last 15 years, one of the things that stands out to me is how much my capabilities have grown every time I learned to build another piece of my own equipment. From building that first pair of wooden stilts to designing complex apparatus, each time I learned to build a new piece of my own equipment has been a major step in developing new capabilities. But it’s not just my capabilities that have grown. The growth I have seen in the middle and high school aged students that have learned to build their own equipment has been equally amazing to me. This book offers step-by-step instructions for building 32 safe aerial projects at home. [editor summary]

As I look back at the last 15 years, one of the things that stands out to me is how much my capabilities have grown every time I learned to build another piece of my own equipment. From building that first pair of wooden stilts to designing complex apparatus, each time I learned to build a new piece of my own equipment has been a major step in developing new capabilities. But it’s not just my capabilities that have grown. The growth I have seen ...


Cote : 791.340 28 S2373t 2017

  • Ex. 1 — disponible
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LIVRES

Introduction to rigging : aerial fabrics

Santos, Steven
Los Angeles : Simple circus, 2014

This is the second book in the "Introduction to Rigging" series of textbooks. This book is designed to be used as the primary text for a college level class on rigging aerial fabrics, single point slings and multi-point slings. Each chapter includes learning objectives, in-class essay topics, chapter tests and research projects designed to make teaching classes based on this text straight forward for any rigging instructor. [editor summary]


Cote : 791.340 28 S2373i 2014

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LIVRES

Introduction to rigging lyras and trapeze bars

Santos, Steven
Los Angeles : Simple circus, 2013

This textbook was written to help riggers learn about all of the different lyras and trapeze bars that exist, as well as how to rig and maintain them. Intended to be used as the student text in rigging classes, this book includes multiple choice chapter tests, essay questions, research assignments and practical exams designed to help students get the most out of the text. [editor summary]


Cote : 791.340 28 S2373i 2013

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MEMOIRES ET THESES

Measuring the Forces Involved in Single Point Aerial Dance Trapeze

Vogel, James E. ; Lisowski, Dan
University of Wisconsin-Madison - Fine Arts in Theatre and Drama (Emphasis in Theatre Technology), 2014

Over the past several decades, the lines between dance, theatre and circus have blurred and circus equipment has found its way into all of the performing arts. With this new exploration of circus equipment, Technical Directors and Riggers frequently find themselves needing to rig apparatus that they are unfamiliar with. This rigging not only occurs in traditional theatres that they have experience with, but also often in found spaces, where load capacities may not be as clear. A thorough understanding of the forces involved when circus and aerial dance equipment are used is important when determining rigging hardware and mount points.

This thesis measures how much force is generated in typical single point aerial dance trapeze movements and, after analyzing that force data provides some insight into what rigging hardware might be needed to properly support such movements. Chapter 1 is a brief introduction to the thesis; Chapter 2 discusses the history of “Aerial Dance” and provides background information on it; Chapter 3 reviews the hardware and software used in the research; Chapter 4 analyses the force data, and provides the formulas used to calculate Working Load Limits; Chapter 5 reviews different rigging hardware options and concerns with each; Chapter 6 is a summary of the thesis. [author summary]
Over the past several decades, the lines between dance, theatre and circus have blurred and circus equipment has found its way into all of the performing arts. With this new exploration of circus equipment, Technical Directors and Riggers frequently find themselves needing to rig apparatus that they are unfamiliar with. This rigging not only occurs in traditional theatres that they have experience with, but also often in found spaces, where load ...


Cote : 791.340 28 V878m 2014

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ARTICLES DE PERIODIQUES

L'agrès : entre apprivoisement et dépassement : les relations qu'entretiennent les artistes à leur agrès

Bordenave, Julie
[?], 2011


Cote : 791.302 8 B64475a 2011

  • Ex. 1 — Consultation sur place
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ARTICLES DE PERIODIQUES

La mécanisation soviétique

Jacob, Pascal
Arts de la piste n°33, p.27, octobre 2004

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ETUDES, GUIDES ET RAPPORTS

Gestion du risque dans l'acrobatie aérienne : actes de la rencontre

Syndicat des cirques et compagnies de création ; Compagnie De Trop ; La Grainerie
Pantin : Syndicat du Cirque de Création, 2006

La gestion du risque, inhérent à toute discipline acrobatique, est elle aussi devenue plus complexe. Pour autant, nous ne voulons pas aborder cette problématique sous l'angle de la sécurité. La question que nous voulons poser avec les participants et le
public est celle du rapport intime de l'artiste au risque. Comment peut-il trouver l'équilibre délicat entre l'acte artistique, la maîtrise de sa technique, la connaissance de son matériel et de ses limites, la conscience de son corps et de ses propres mécanismes psychologiques dans les différentes situations où il est amené à exercer son métier ? [résumé de l'éditeur]
La gestion du risque, inhérent à toute discipline acrobatique, est elle aussi devenue plus complexe. Pour autant, nous ne voulons pas aborder cette problématique sous l'angle de la sécurité. La question que nous voulons poser avec les participants et le
public est celle du rapport intime de l'artiste au risque. Comment peut-il trouver l'équilibre délicat entre l'acte artistique, la maîtrise de sa technique, la connaissance de son matériel et de ...


Cote : 791.302 8 S992g 2006

  • Ex. 1 — disponible

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Sujets

Agrès de cirque [8]

Arts du cirque - Mesures de sécurité [6]

Gréage [5]

Artistes de cirque - Entretiens [2]

Le Guillerm, Johann [artiste de cirque] [2]

Acrobatie aérienne [1]

Acrobatie aérienne [1]

Agrès de cirque - Recherche et développement [1]

Arts du cirque - Aspect politique [1]

Arts du cirque - Philosophie et théorie [1]

Arts du cirque - Processus de création [1]

Binns, Lachlan [artiste de cirque] [1]

Björfors, Tilde [directeur artistique] [1]

Bowers, Kim [compositrice] [1]

Boyce, Jascha [artiste de cirque] [1]

Carroll, Shana [artiste de cirque] [1]

Cerceau [1]

Cirque contemporain - Philosophie et théorie [1]

Clarkson, David [directeur artistique] [1]

Danse aérienne [1]

Découflé, Philippe [artiste de danse] [1]

Disciplines de cirque - Philosophie et théorie [1]

Esthétique des arts du cirque [1]

Faanana, Fez [directeur artistique] [1]

Finch, Mike [directeur artistique] [1]

Finzi Pasca, Daniele [metteur en piste] [1]

Gandini, Sean [artiste de cirque] [1]

Guidi, Firenza [directrice artistique] [1]

Histoire des arts du cirque - 20e siècle [1]

Histoire des arts du cirque - 21e siècle [1]

Histoire du cirque - Russie [1]

Koch, Tina [artiste de cirque] [1]

Lancaster, Jo-Ann [artiste de cirque] [1]

Lifschitz, Yaron [direction artistique] [1]

McGuffin, Chelsea [directrice artistique] [1]

Ménard, Phia [artiste de cirque] [1]

Michel, Marie-Anne [1]

Miller, Jennifer [artiste de cirque] [1]

Moglia, Chloé [artiste de cirque] [1]

Mondot, Adrien [artiste de cirque] [1]

Mooney, Charlotte [artiste de cirque] [1]

Petit, Philippe [funambule] [1]

Représentation du corps circassien [1]

Scénographie de cirque [1]

Streb, Elizabeth [chorégraphe] [1]

Tissu [1]

Trapèze fixe [1]

Vépy, Mélissa Von [artistie de cirque] [1]

Yates, Simon [artiste de cirque] [1]

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