m
0

Documents 

O
5 résultat(s)
y Funambulisme - Philosophie et théorie
     

P Q

Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

Circus as multimodal discourse : performance, meaning and ritual

Bouissac, Paul
London ; New York : Bloomsbury Academic, 2012

Bouissac is one of the world's leading authorities on circus ethnography and semiotics present in this volume a theory of the circus as a secular ritual and introduces a method to analyze its performances as multimodal discourse. He cover the range of circus specialties (magic, animal training, acrobatics, clowning) and provide examples to show how cultural meaning is produced, extended and amplified by circus performances and a reflection on the potentially subversive power of this discourse and its contemporary use. [editor summary]
Bouissac is one of the world's leading authorities on circus ethnography and semiotics present in this volume a theory of the circus as a secular ritual and introduces a method to analyze its performances as multimodal discourse. He cover the range of circus specialties (magic, animal training, acrobatics, clowning) and provide examples to show how cultural meaning is produced, extended and amplified by circus performances and a reflection on ...


Cote : 791.301 B762c 2012

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

L'esercizio del vuoto : il mimo e il funambolo nello spazio dell'arte

Nardon, Paolo
Perugia : Fabrizio Fabbri Editore, 2011

L'arte, in qualunque forma si manifesti, richiede un pubblico, ma il primo spettatore di un'opera è sempre il suo artefice. Questo doppio movimento dell'artista, da creatorea spettatore, risulta ancora più complicato quando artista e opera sono coincidenti. Nell'arte del mimo e del funambolo, il corpo è la materia prima dell'espressione. Conclusa la presentazione, dove prima erano il mimoe il funambolo non resta altro che un palcoscenico vuoto o un filo teso vicino al cielo. Il vuoto, però, è per entrambi il luogo della rivelazione di se stessi e del mondo. L'autore, critico d'arte, docente di Storia dello Spettacolo e Antropologia dell'Arte a partire dalle esperienze raccontate da Étienne Decroux e Philippe Petit (un grande mimo e un grande funambolo), con questo libro delinea l'arduo percorso che l'uomo artista compie grazie alla sua opera, chiamato da una necessità espressiva ad affrontare dolori e paure alla costante ricerca di una verità, non solo dell'arte ma anche della vita. [riassunto dell'editore]
L'arte, in qualunque forma si manifesti, richiede un pubblico, ma il primo spettatore di un'opera è sempre il suo artefice. Questo doppio movimento dell'artista, da creatorea spettatore, risulta ancora più complicato quando artista e opera sono coincidenti. Nell'arte del mimo e del funambolo, il corpo è la materia prima dell'espressione. Conclusa la presentazione, dove prima erano il mimoe il funambolo non resta altro che un palcoscenico vuoto o ...


Cote : 791.360 1 N224e 2011

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
H Disponible en ligne

MEMOIRES ET THESES

High wire : risk and the art of tightrope walking

Myrvold, Paul
San Jose State University - Faculty of the Department of Theatre Arts, 1998

This work examines the notion of physical risk as it pertains to performance. Because the act of walking the high wire has become a metaphor for dangerous action as well as as performance skill, this thesis uses it as the standard by which all risk-laden performance can be evaluated. Theories of risk from the fields of commerce, engineering, psychology, and sociology are reviewed as well as the history and practice of wire walking. Specific performances of Philippe Petit, Jay Cochrane, the Wallenda Family, and the author are analyzed in search of the components that shape risk into an aesthetic element of art and the methods used by performers to control it.
This thesis also contains complete, unpublished interviews with Philippe Petit and Jay Cochrane as appendices. The final chapter contains theoretic conclusions applicable not only to high wire walking, but to any performance that courts physical injury or death. [author summary]
This work examines the notion of physical risk as it pertains to performance. Because the act of walking the high wire has become a metaphor for dangerous action as well as as performance skill, this thesis uses it as the standard by which all risk-laden performance can be evaluated. Theories of risk from the fields of commerce, engineering, psychology, and sociology are reviewed as well as the history and practice of wire walking. Specific ...


Cote : 791.360 9 M9984h 1998

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
H Disponible en ligne

ARTICLES DE PERIODIQUES

Le funambule et le parergon

Jeudon, Xavier
Magma vol.13, n° 2, ill. coul., 8 p., mai 2015


Cote : 791,360 1 J588f 2015

  • Ex. 1 — disponible

Filtrer

Disponibilité
Type
Sujets

Funambulisme - Philosophie et théorie [5]

Petit, Philippe [funambule] [2]

Représentation du corps circassien [2]

Activisme [1]

Animaux sauvages [1]

Archaos [compagnie de cirque] [1]

Art clownesque - Philosophie et théorie [1]

Art équestre - Philosophie et théorie [1]

Arts - Philosophie et théorie [1]

Arts du cirque [1]

Arts du cirque - Aspect social [1]

Arts du cirque - Aspect sociologique [1]

Arts du cirque - Aspect symbolique [1]

Arts du cirque - Ethnologie [1]

Arts du cirque - Mouvements artistiques [1]

Arts du cirque - Philosophie et théorie [1]

Arts du cirque - Prise de risque [1]

Arts du cirque - Processus de création [1]

Blackpool Tower Circus [compagnie de cirque] [1]

Blondin, Charles [funambule] [1]

Cairoli [clown] [1]

Circus Knie [1]

Circus Oz [compagnie de cirque] [1]

Circus Roncalli [compagnie de cirque] [1]

Cirque Busch [1]

Cirque du Soleil [compagnie de cirque] [1]

Cirque et littérature [1]

Cirque Gatini [1]

Cirque national Alexis Grüss [compagnie de cirque] [1]

Cirque traditionnel [1]

Cochrane, Jay [funambule] [1]

Corps humain - Aspect symbolique [1]

Decroux, Étienne [mime] [1]

Dressage - Philosophie et théorie [1]

Équilibre [1]

Équilibrisme - Philosophie et théorie [1]

Esthétique des arts du cirque [1]

Expression corporelle [1]

Fil de fer - Philosophie et théorie [1]

Funambules - Biographies [1]

Funambulisme - Aspect psychologique [1]

Funambulisme - Histoire [1]

Genet, Jean [écrivain] [1]

Histoire des arts du cirque [1]

Kafka, Franz [écrivain] [1]

Magie - Philosophie et théorie [1]

Mime - Aspect symbolique [1]

Mime - Philosophie et théorie [1]

Mise en piste [1]

Mort [1]

Nouveau cirque [1]

Relation de l'artiste avec le public [1]

Représentation de la piste [1]

Ritualisation au cirque [1]

Sémiotique et arts du cirque [1]

Silence [1]

Sperlich, René [1]

Trapèze - Philosophie et théorie [1]

Wallenda [famille de cirque] [1]

J Afficher plus

Auteurs
Date de publication

2016 [1]

2015 [1]

2012 [1]

2011 [1]

1998 [1]

Langue

Z