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y Arts - 21e siècle

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Craft

Harrod, Tanya
Cambridge : The MIT Press, 2018

A secret history of craft told through lost and overlooked texts that illuminate our understanding of current art practice.

“Craft” is a contested concept in art history and a vital category through which to understand contemporary art. Through craft, materials, techniques, and tools are investigated and their histories explored in order to reflect on the politics of labor and on the extraordinary complexity of the made world around us. This ...


Cote : 745.5 H3234c 2018

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Boredom

McDonough, Tom
Cambridge : The MIT Press, 2017

In contemporary art, boredom is no longer viewed as a singular experience; rather, it is contingent on diverse social identifications and cultural positions, and extends from a malign condition to be struggled against, to an experience to be embraced, or explored as a site of resistance. This anthology explores this history: from the political critique of boredom in 1960s France; silence, repetition or indifference in Fluxus, Pop, Minimalism and ...


Cote : 700.453
M1367b 2017

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Destruction

Spieker, Sven
Cambridge : The MIT Press, 2017

The effects and meanings of destruction are central in the work of many of our most influential artists. Since the early 1960s, artists have cut, sliced, burned, blurred, erased, daubed-over, pulled down, ripped, sawn, shot, acid-bombed, exploded, smashed, crushed, compressed or even masticated their material to explore the meaning of their artistic processes. Here destruction changes from a negative state or passive condition to a highly ...


Cote : 700.108 S7553d 2017

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Work

Sigler, Friederike
Cambridge : The MIT Press, 2017

Work's meaning both within art and in its wider economic and social context: the complexities of being an art worker in the new economy. [editor summary]


Cote : 701.03 S577w 2017

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Pirates! : l'art du détournement culturel

Pujas, Sophie
Paris : Tana , 2017

Théorisé par les situationnistes dans les années 1950, le détournement, c'est la créativité sous le signe du clin d'œil, voire du flirt avec l'absurde, mais aussi du soupçon permanent. Désormais, à l'ère du 2.0, chacun peut s'approprier les images cultes et jouer avec. Cet art de la subversion s'invite dans la vie quotidienne et ne cesse d'investir de nouveaux territoires comme de nouveaux supports. Entre fétichisme nostalgique et dézingage ...


Cote : 709.05 P979p 2017

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Queer

Getsy, David J.
Londre ; Cambridge ( Massachusetts) : Whitechapel Gallery ; MIT Press, 2016

Rather than a book of queer theory for artists, this is a book of artists’ queer tactics and infectious concepts. In the first such anthology to be centred on artists’ writings, numerous conversations about queer practice are brought together from diverse individual, social and cultural contexts. Together these texts describe and examine the ways in which artists have used the concept of queer as a site of political and institutional critique, ...


Cote : 700.453 G3943q 2016

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Animals

Ramos, Filipa
Londre ; Cambridge ( Massachusetts) : Whitechapel Gallery ; MIT Press, 2016

Animals have become the focus of much recent art, informing numerous works and projects featured at major exhibitions. Contemporary art has become a privileged terrain for exploring interspecies relationships, providing the conditions for diverse disciplines and theoretical positions to engage with animal behaviour and consciousness. Artists’ engagement with animals opens up new perspectives on the dynamics of dominance, oppression and ...


Cote : 700.462 R1753a 2016

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Ethics

Beshty, Walead
Cambridge : The MIT Press, 2015

The boundary of a contemporary art object or project is no longer thought of solely in physical terms but rather in relation to the specific social field it creates. Art is thus increasingly implicated in questions of ethics. This collection evaluates the relation of ethics to aesthetics, an encounter central to the contested space of much recent practice. It brings together theoretical foundations for an ethics of aesthetics; appraisals of art ...


Cote : 701.08 B5548e 2015

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Systems

Shanken, Edward A.
Cambridge : The MIT Press, 2015

In the 1960s many artists, composers, musicians and architects began to embrace open systems that emphasise organism over mechanism, dynamic processes of interaction among elements, and the participant’s role as an inextricable part of aesthetic experience. This anthology traces this radical shift from its roots in systems and information theories, cybernetics and artificial intelligence to current cutting-edge science. It also explores the ways ...


Cote : 700.11 S5286s 2015

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The land we are : artists & writers unsettle the politics of reconciliation

Hill, Gabrielle ; McCall, Sophie
Winniped, Manitoba : ARP Books, 2015

The Land We Are is a stunning collection of writing and art that interrogates the current era of reconciliation in Canada. Using visual, poetic, and theoretical language, the contributors approach reconciliation as a problematic narrative about Indigenous-settler relations, but also as a site where conversations about a just future must occur. The result of a four-year collaboration between artists and scholars engaged in resurgence and ...


Cote : 704.039 707 1
H6451l 2015

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