m
0

Documents 
| 13 résultat(s)


y Histoire de l'art

P Q

Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

Sexuality

Jones, Amelia
Cambridge : The MIT Press, 2014

It has been argued, most notably in psychoanalytic and modernist art discourse, that the production of works of art is fundamentally driven by sexual desire. It has further been argued, particularly since the early 1970s, that sexual drives and desires also condition the distribution, display and reception of art. This anthology traces how and why this identification of art with sexual expression or repression arose and how the terms have ...


Cote : 704.949 306 7
J762s 2014

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

The object

Hudek, Antony
Londre ; Cambridge (Massachusetts) : Whitechapel Gallery ; MIT Press, 2014

Artists increasingly refer to “post-object-based” work while theorists engage with material artifacts in culture. A focus on “object-based” learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the “objectness” of production, with art as its ...


Cote : 709.04 H884o 2014

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

Memory

Farr, Ian
Londre ; Cambridge ( Massachusetts) : Whitechapel Gallery ; MIT Press, 2012

This anthology investigates the turn in art not only towards archives and histories, the relics of modernities past, but toward the phenomena, in themselves, of 'haunting' and the activation of memory. It looks at a wide array of artistic relationships to memory association, repetition and reappearance, as well as forms of 'active' forgetting. Its discussions encompass artworks from the late 1940s onward, ranging from re-performances such as ...


Cote : 700.484 F239m 2012

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

Le cirque du monde : une allégorie de la modernité

Pencenat, Corine
[Belval] : Circé, 2012

À travers une histoire kaléidoscopique des arts, qui voit l'enquête remonter aux sources de la modernité, Du Théâtre au Cirque du monde interroge la nouvelle situation qui a vu les artistes investir l'action selon des objectifs bien différents. Le spectacle du cirque avec les qualités que ses numéros convoquent en fournit, bien plus justement que le théâtre, la matrice à partir de quoi une échappée aux nihilismes des deux derniers siècles ...


Cote : 791.301 P3977c 2012

  • Ex. 1 — disponible
  • Ex. 2 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

The sublime

Morley, Simon
Londre ; Cambridge (Massachusetts) : Whitechapel Gallery ; MIT Press, 2010

In a world where technology, spectacle and excess seem to eclipse former concepts of nature, the individual and society ... the notion that the sublime represents a taking to the limits, to the point at which fixities begin to fragment ... examines how the ideas of the sublime are explored in the work of contemporary artists and theorists, in relation to the unpresentable, transcendence, terror, nature, technology, the uncanny and altered ...


Cote : 709.04 M8641s 2010

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

Chance

Iversen, Magaret
Londre ; Cambridge ( Massachusetts) : Whitechapel Gallery ; MIT Press, 2010

The spontaneous, unexpected or random event is a vital component in numerous works of Expressionism, Dada, Surrealism, Fluxus and conceptual photography. And the camera snapshot seems intrinsically implicated in the workings of chance. But why today does chance remain a key stretegy in artists' investigations into the contemporary world? This anthology analyses the meaning of these strategic spaces of uncertainty, poised between intention and ...


Cote : 701.08 I94c 2010

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

Utopias

Noble, Richard
Cambridge : The MIT Press, 2009

Utopian projects aspire to a better world but their forms may only ever live in our imaginations. Furthermore, we are as haunted by their failures as we are inspired by the aspiration to repair the failed and build the new. This anthology contextualizes art's current engagement with the utopian in relation to political thought, viewing the utopian as a key term in the artistic lineage of modernity. It illuminates how the exploration of utopian ...


Cote : 700.458 1 N747u 2009

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

Situation

Doherty, Claire
Londre ; Cambridge ( Massachusetts) : Whitechapel Gallery ; MIT Press, 2009

A unique set of conditions produced in both space and time and ranging across material, social, political and economic relations, Situation is now a key concept in 21st-century art. This anthology traces its evolution from the 1960s emergence of site-specific art to its divergent implications in the global era. Among the topics surveyed are the limits of site; the role of the artist as ethnographer or fieldworker; the relation between action and ...


Cote : 709.04 D6552s 2009

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

The artist's joke

Higgie, Jennifer
Cambridge : the MIT PRess, 2007

Ever since Freud's Jokes and Their Relation to the Unconscious appeared in 1905, humor both light and dark has frequently surfaced as a subversive, troubling, or liberating element in art. The Artist's Joke surveys the rich and diverse uses of humor by avant-garde and contemporary artists. [editor summary]


Cote : 700.417 H635a 2007

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

Performance art : from futurism to the present

Goldberg, RoseLee
Thames & Hudson Inc., 2006

First published in 1979, now extensively updated and expanded, this pioneering book has been supplemented by the definitive account of the current technological, political and aesthetic shifts in performance art that mark its transition to the twenty-first century. Performance art is now at the forefront of current art. An astonishing increase in the number of works and venues around the world testifies to this art form as the chosen medium for ...


Cote : 702.81

  • Ex. 1 — disponible

Filtrer

Disponibilité
Type
Sujets
Auteurs
Date de publication
Langue

Z