Sujets :
Art clownesque - Étude et enseignement
Art clownesque - Philosophie et théorie

Dépouillement du document :
1- Prologue
2- History of the Wondermakers
If performance art disconnects from the community it's performing for, it dies.

3- Confessions of a War Clown
The more trauma one has experienced, the bigger the need to laugh.
A Story from Sarajevo
A Story from the West Sahara
A Story from Nepal

4- The Sweet Essence of Clown
It's not about acting stupid, it's about daring to be perceived as stupid.
The Five Layers of Clown

5- The Clown Manifesto

6- The Nalleslavski Method.
There are no bad audiences.
Reflections on Connecting and Playing
Connect
Play
Nalleslavski's Triangle
World
The Real World
The Imaginary World
Character
Categories of Character
Playing someone else (acting)
Playing yourself (being)
Introvert (focused on action)
Action
Creating Material and Filling your Bag of Tricks
Structuring Material to Create Emotional Orgasms
Improvisation and Gifts from the Clown Gods
Love your Volunteer
Love your volunteer and your audience will love you.

7- The Rebel Creator

Résumé :
Part clown manual, part storytelling and part rant – The Clown Manifesto covers the experiences, philosophies and methods of the clown performer/director/teacher Nalleslavski.

A book for clowns, physical comedians, actors, musicians, jugglers, puppeteers, magicians, street performers and dancers. Whatever form your clowning takes – theatre, street theatre, comedy, burlesque, magic, circus – the mischievously named Nalleslavski Method gives you practical tools to create comedy material that works universally, across cultural and language barriers. [editor sumamry]

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

Cote : 791.330 71 N172c 2014

• Ex. 1 — disponible