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Auteurs : Ellingsworth, John (Auteur)

Éditeur : Sideshow Circus Magazine n°[mai 2010], ill., [2] p.

Date de publication : mai 2010

Langue : Anglais

Sujets :
Acrobat [compagnie de cirque]
Propaganda [spectacle de cirque]

Localisation : Périodiques

Cote : SID-2010

Ex. 1 — Consultation sur place

Contenu dans

[Numéros de revues] Sideshow Circus Magazine, 2010 2010

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Sur le même sujet

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Panorama contemporain des arts du cirqueTour d'horizon en 600 pages de 70 compagnies nationales et internationales ou artistes de cirque, cet ouvrage délivre une vision incarnée de la scène circassienne contemporaine. Chaque compagnie voit son univers et son parcours restitués, illustrés par des images des créations, des lieux de vie, des traces de travail (notes, croquis...). Enfin, les artistes sont invités à prendre la parole, à livrer leur conception des arts du cirque, en perpétuelle redéfinition. [résumé de l'éditeur]
Propaganda
PropagandAUn couple de naïfs et athlétiques révolutionnaires, inébranlables dans leur idéaux, vous convie à la démonstration de méthodes inédites pour combattre l'injustice, promouvoir la solidarité et dynamiser la lutte des classes.
A desire for presence : the ritual aesthetics of contemporary circusIn general the aim of this paper is to link the recent tendency towards ritual poverty in theatre and circus to contemporary philosophical thought. Due to the loss of meaning of philosophical concepts that define the human subject as a centred, autonomous and mystical entity, also the basic concepts of the performance arts have changed. In this context we would like to indicate the abandonment of the aesthetics of representation for an exploration of what lies beyond representation: presence. In theatre this evolution is manifested in the shift from dramatic theatre to postdramatic theatre. After a period of interdisciplinarity known as „Nouveau Cirque?, contemporary circus recently manifest the same desire for presence.

Secondly, we would like to argue that with the gaining importance of the Real both theatre and circus seem to approach their ritual origins. This evolution is widely known in postdramatic definitions of theatre as performance, ceremony or social event. In circus however, the matter is more complex due to the ambiguous and physical connection to reality. In many ways circus resembles ritual, which drives us to propose an analytical frame for circus as a contemporary ritual on the level of function, experience and aesthetics. The latter however is not a closed and perfectly fitting scientific tool, but has to be understood as a map that can guide us in the fascinating adventure of analyzing the increasingly popular landscape of contemporary circus. [author summary]
Propaganda by Acrobat at Montréal Complètement Cirque
Chris ‘Zeke’ Hand’s Comprehensive and Thought Provoking Review of Propaganda By acrobat. [résumé de l'auteur]
Propaganda

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