Auteurs : Fox, Charles Philip (Auteur)

Lieu de publication : Boulder, Colo.

Éditeur : Pruett Pub. Co.

Date de publication : 1985

ISBN : 0-87108-609-3

Langue : Anglais

Description : 266 p., 16 p. de pl. : ill. en n&b et en coul. ; 22 x 26 cm

Notes : Index.

Sujets :
Publicité de cirque
Histoire du cirque - États-Unis

Collection : Collection Pascal Jacob

Localisation : Bibliothèque

Cote : 741.674 791 3

Ex. 1 — Consultation sur place

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Sur le même sujet

1880-1930, les années dessin : l'âge d'or de l'affiche de cirque
Des peintures romaines à l'affiche moderne : 2000 ans de communication murale
Le cirque et les arts
Circus life : performing and laboring under America's big top shows, 1830-1920The nineteenth century saw the American circus move from a reviled and rejected form of entertainment to the “Greatest Show on Earth.” Circus Life by Micah D. Childress looks at this transition from the perspective of the people who owned and worked in circuses and how they responded to the new incentives that rapid industrialization made possible.
The circus has long been a subject of fascination for many, as evidenced by the millions of Americans that have attended circus performances over many decades since 1870, when the circus established itself as a truly unique entertainment enterprise. Yet the few analyses of the circus that do exist have only examined the circus as its own closed microcosm—the “circus family.” Circus Life, on the other hand, places circus employees in the larger context of the history of US workers and corporate America. Focusing on the circus as a business-entertainment venture, Childress pushes the scholarship on circuses to new depths, examining the performers, managers, and laborers’ lives and how the circus evolved as it grew in popularity over time. Beginning with circuses in the antebellum era, Childress examines changes in circuses as gender balances shifted, industrialization influenced the nature of shows, and customers and crowds became increasingly more middle-class.
As a study in sport and social history, Childress’s account demonstrates how the itinerant nature of the circus drew specific types of workers and performers, and how the circus was internally in constant upheaval due to the changing profile of its patrons and a changing economy. [editor summary]
Canal Entertainment WorksCompagnie se spécialisant dans l'organisation d'évènements de tout genre, de la planification à la supervision des procédures, de la location de matériel à la publicité.
A history of the circus in AmericaIn this book the author traces the development of the circus in America since 1771, beginning with the small "overland" troupes that toiled along country roads by means of horse drawn wagons, then continues with the shows that made better time on the railroads, and finally moves on to those that now travel on trucks and house their personnel in trailers. [editor summary]

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