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Livres

Surrealism

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Auteurs : Caws, Mary Ann (Direction)

Lieu de publication : New York

Éditeur : Phaidon

Date de publication : 2004

Langue : Anglais

Description : 304 p. : ill. coul.; 30 cm.

Notes : Bibliogr. : p. 296-299. Index. Biographies.

Sujets :
Surréalisme
Art

Dépouillement du document :
Its six sections trace the themes which predominated at different stages: Chance and Freedom - the earliest work, characterized by complete 'automatic' spontaneity; Poetics of Vision - the strategies of surrealist image-making, reflecting the mind's inner visions; Elusive Objects - the fascination with objects of all kinds from which emerged artworks such as Meret Oppenheim's celebrated fur-lined cup and saucer; Desire - the investigation of desire, eroticism and 'mad love' which is central and unique to the movement; Delirium - Surrealism's high-risk engagement with extreme mental states and disturbing, uncanny visions; and the Infinite Terrains of later Surrealism, ranging from Joseph Cornell's magical assemblages in box frames, like 'theatres of the mind', to the infinite fields and dynamic energy of late surrealist painting at the dawn of Abstract Expressionism. The Documents section includes important rediscovered writings alongside the key texts by leading figures. Many of the texts have been specially translated for this volume by Mary Ann Caws and Jonathan Eburne.

Résumé :
Surrealism is a survey of the twentieth century's longest lasting and, arguably, most influential art movement. Championed and held together by André Breton for over forty years, Surrealism was France's major avant-garde artistic tendency from 1924 onwards, rapidly spreading around the globe to become an international phenomenon. During World War II, Surrealism's exiled artists and writers had a major impact on American art and were a primary influence for the Abstract Expressionist generation. The official Surrealist movement continued to the end of Breton's life in 1966, and its legacy is still pervasive today, in contemporary art as well as in numerous quotations from surrealist imagery in cinema, advertising and the media. [editor summary]

Remerciement au donateur : Musée des beaux-arts du Canada

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

Cote : 709.040 63 C383s 2004

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