Sujets :
Théâtre - Aspect psychologique
Aptitudes cognitives
Representation mentale
Corporalité
Relation de l'artiste avec le public
Spectateurs - Psychologie
Neurosciences et arts

Dépouillement du document :
Part One: Theatre as a space of relationships: a neurocognitive approach
1. Editorial Introduction: The space of shared action / Clelia Falletti
2. “Mirror mechanism” and motor behavior / Maria Alessandra Umiltà
3. Body presence and extra-personal space perception / Giorgia Committeri and Chiara Fini
4. The actor at the circus. Towards a cognitive approach / Philippe Goudard

Part Two : The spectator's performative experience and “Embodied theatrology”
5. Editorial introduction: Towards an “Embodied Theatrology”? / Gabriele Sofia
6. Body and corporeality. A small multidisciplinary glossary / Marco De Marinis
7. Audiences' experience of proximity and co-presence in live dance performance / Corinne Jola, Dundee and Matthew Reason
8. “Theatre and science”. Some reflections on the theatre effectiveness mechanism in Antonin Artaud / Lorraine Dumenil

Part Three: The complexity of theatre and human cognition
9. Editorial Introduction: The Complexity of the actor's pedagogy and human cognition / Victor Jacono
10. A rope over an abyss / John J. Schranz
11. The actor's embodied language. Preliminary indications from a pilot experiment / Gabriele Sofia, Clelia Falletti, Giovanni Mirabella
12. Perception and the organization of time in the theatre / Luciano Mariti

Part Four: Interdisciplinary perspectives in applied performance
13. Editorial introduction: Does art therapy work as a rehabilitative tool? / Giovanni Mirabella
14. Use of theatrical techniques and elements as interventions for autism spectrum disorders / Jenna Gabriel, Elisa Angevin, Tamara Rosen and Matthew D. Lerner
15. Theatre is a valuable tool for parkinson's disease rehabilitation / Nicola Modugno, Imogen Kusch
16. Theatre and therapy: care, cure or illusion? / Jean-Marie Pradier

Résumé :
This is the first volume to provide a detailed introduction to some of the main areas of research and practice in the interdisciplinary field of art and neuroscience. With contributions from neuroscientists, theatre scholars and artists from seven countries, it offers a rich and rigorous array of perspectives as a springboard to further exploration. Divided into four parts, each prefaced by an expert editorial introduction, it examines:

* Theatre as a space of relationships: a neurocognitive perspective
* The spectator's performative experience and 'embodied theatrology'
* The complexity of theatre and human cognition
* Interdisciplinary perspectives on applied performance

Each part includes contributions from international pioneers of interdisciplinarity in theatre scholarship, and from neuroscientists of world-renown researching the physiology of action, the mirror neuron mechanism, action perception, space perception, empathy and intersubjectivity.

While illustrating the remarkable growth of interest in the performing arts for cognitive neuroscience, this volume also reveals the extraordinary richness of exchange and debate born out of different approaches to the topics. [editor summary]

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

Cote : 792.01 F195t 2016

• Ex. 1 — disponible