Sujets :
Théâtre - Philosophie et théorie
Théâtre - Étude et enseignement
Théâtre du geste - Étude et enseignement
Processus de création
Jeu et interprétation
Jeunesse - Usage des drogues

Dépouillement du document :
Stanislavsky’s system: pathways for the actor / Sharon Marie Carnicke
Meyerhold and Biomechanics / Robert Leach
Jacques Copeau: the quest for sincerity / John Rudlin
Michael Chekhov on the technique of acting : "was Don Quixote true to life?" / Franc Chamberlain
Michhel Saint-Denis: training the complete actor / Jane Baldwin
The Knebel technique: active analysis in practice / Sharon Marie Carnicke
Brecht and actor training: on whose behalf do we act? / Peter Thomson
Joan Littlewood / Clive Barker
Strasberg, Adler and Meisner: Method acting / David Krasner
Joseph Chaikin and aspects of actor training: possibilities rendered present / Dorinda Hulton
Peter Brook: transparency and the invisible network / Lorna Marshall and David Williams
Grotowski’s vision of the actor: the search for contact / Lisa Wolford
Training for play, lightness and disobedience in the pedagogies of Jacques Lecoq, Monika Pagneux and Philippe Gaulier / Simon Murray
Training with Eugenio Barba: acting principles, the pre-expressive and "personal temperature" / Ian Watson
Ariane Mnouchkine and the Theatre du Soleil : Theatricalising history, the theatre as metaphor; the actor as signifier / Helen E. Richardson
Wlodzimierz Staniewski : Gardzienice: the naturalised actor / Alison Hodge
Creating the moment: Anne Bogart, SITI Company and actor training / Royd Climenhaga
Augusto Boal and the Theatre of the Oppressed / Frances Babbage

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

Cote : 792.028 071 H6881a 2010

• Ex. 1 — disponible